maiamaia

If Margaret Thatcher is re-elected as prime minister on Thursday, I warn you. I warn you that you will have pain – when healing and relief depend upon payment. I warn you that you will have ignorance – when talents are untended and wits are wasted, when learning is a privilege and not a right. I warn you that you will have poverty – when pensions slip and benefits are whittled away by a government that won’t pay in an economy that can’t pay. I warn you that you will be cold – when fuel charges are used as a tax system that the rich don’t notice and the poor can’t afford.

I warn you that you must not expect work – when many cannot spend, more will not be able to earn. When they don’t earn, they don’t spend. When they don’t spend, work dies. I warn you not to go into the streets alone after dark or into the streets in large crowds of protest in the light. I warn you that you will be quiet – when the curfew of fear and the gibbet of unemployment make you obedient. I warn you that you will have defence of a sort – with a risk and at a price that passes all understanding. I warn you that you will be home-bound – when fares and transport bills kill leisure and lock you up. I warn you that you will borrow less – when credit, loans, mortgages and easy payments are refused to people on your melting income.

If Margaret Thatcher wins on Thursday, I warn you not to be ordinary. I warn you not to be young. I warn you not to fall ill. I warn you not to get old.

Only the young have such moments. I don’t mean the very young. No. The very young have, properly speaking, no moments. It is the privilege of early youth to live in advance of its days in all the beautiful continuity of hope which knows no pauses and no introspection.

One closes behind one the little gate of mere boyishness—and enters an enchanted garden. Its very shades glow with promise. Every turn of the path has its seduction. And it isn’t because it is an undiscovered country. One knows well enough that all mankind had streamed that way. It is the charm of universal experience from which one expects an uncommon or personal sensation—a bit of one’s own.

One goes on recognizing the landmarks of the predecessors, excited, amused, taking the hard luck and the good luck together—the kicks and the half-pence, as the saying is—the picturesque common lot that holds so many possibilities for the deserving or perhaps for the lucky. Yes. One goes on. And the time, too, goes on—till one perceives ahead a shadow-line warning one that the region of early youth, too, must be left behind.

Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like anything else. What is the other text, the original? I have no answer. I suppose it is the source, the deep sea where ideas swim, and one catches them in nets of words and swings them shining into the boat…where in this metaphor they die and get canned and eaten in sandwiches.